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那个士兵正朝她伸手按来士兵手掌上的手套已经化为灰烬露出那暗红色蕴含着恐怖能量却不曾燃烧甚至连一丝能量气息也没有外溢的手掌在这千分之一秒的短暂...一边开车这位女上校一边盯着控制台上的屏幕那里正显示着沙漠里的各种生命特性很快伊万娜就锁定了一个目标那个目标的数据显示那并非沙漠里的动物而是一个人类当看到... 详情
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第一人称入电影
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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